THE Y-FILES |
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On Marriage, Capitalism and Democracy by Ryan Murphy
I was instantly entangled in the image of he and I at 17, sitting in front
of a campfire in the northern Minnesota woods, debating our favorite
masturbation techniques and whether it felt better to come from a hand job
or a blow job. I've never had more psychosexually intense seconds than
those nine-month pregnant conversations with boys in my teens, when I was
battling simply to keep my beer from sliding out of my hand or from
spontaneously ejaculating due to overstimulation. Ten years later on the
phone I was still struggling just to hold it together. My heart was
plummeting as the memories of sexual arousal burned away. For the next time
I'd see him wouldn't be around a post skinny-dipping campfire, but with a
set of faux crystal goblets in hand, plane tickets and rental car policy in
pocket, spending a fortune in a 5000 year old ritual of emotional, erotic,
and capital regulation.
Dan's wedding proclamation was about the 10th I've received from a high
school or college friend. In two years I've watched half a million dollars
be signed over to invitations, flowers, cakes, food, and booze. I've seen
the last names of so many women disappear from the historical record in a
stunning embodiment of the social structure my Mother's generation of
second-wave feminists and sex radicals fought to dismantle. And as I try to
be happy for friends who embark on this journey, I try to put my finger on
the reasons for the frustration, disillusionment, and rejection I can't help
feeling sitting in the audience.
My first instinct when analyzing my distaste for the cultural machinery of
the wedding and marriage is to be critical of myself. Maybe I an just
another queen who can't get over growing old, and hate seeing friends from
younger days turn into middle aged people. Maybe marriage vows sound like a
bank vault slamming shut, putting an impenetrable barrier between me and the
excitement of sexual possibility. Or maybe I impose my own rejection of the
consumerist cultural aspects of capitalism on the aesthetic choices my
friends make for their ceremonies.
But as I sit here in a coffee shop trying to ponder the broader meaning of
the situation, I feel that there are social, economic, and political reasons
for my own refusal to be complicit with this process. For I think it is
important not to glance over the connections between marriage and the
heterosexual nuclear family and the gender, class, and racially polarized
society that we live in.
My Mother, the second wave feminist activist I referred to earlier, got
married in 1967, a time when marriage, name change, and child rearing were
compulsory for middle class white women. Mandatory marriage for my Mother,
however, was a structure with roots much deeper than the cultural tastes of
Midwesterners. My Mother was raised in the 1950s, during the most
significant economic boom in the history of the United States. A population
spike occurred as one of the results of this new found wealth, and American
cities began to build to house their thousands of new citizens. But instead
of building more rowhouses and subway lines to service them, American cities
binged on suburban development immediately after the war. In a dramatic
departure from the dense city building strategy that had been the only way
feasible before the widespread use of the automobile, new subdivisions
featured large lots, single-family homes, wide streets, and private shopping
malls in a conscious strategy to depart from the cacophony of diverse voices
that a street in an urban metropolis is. Implicit in this transition were
government loan policies that explicitly allowed only white families to
build in these areas, legally excluding people of color, single working poor
people, and the crime and chaos all these groups were blamed and stereotyped
as being responsible for.
This new private, controlled, safe community system coincided with and
reinforced the cultural meaning of marriage, a bond between one man and one
woman that no one else is allowed to be a part of. The couple and their
children would live only among people to whom they were racially and
economically similar. Time was spent in the car, at the mall, or at home.
There would be no interaction with people of diverse age, social, and
economic locations that urban street culture or transit riding requires.
Additionally, independent social interaction with other sexually available
adults was nearly non-existent, simplifying the heterosexual monogamous
relationship and creating a sociosexual link between the new suburban
geography and the marriage institution.
This analysis is not meant to assert that marriage has only occurred in
white suburban social locations. Of course poor people, immigrants,
artists, and day laborers married alongside their suburban baby-booming
counterparts. However this story of the American family is the one most
deeply enshrouded in privilege and therefore has become the media
popularized narrative of what all Americans regardless of their social
location want to achieve. And it is this all-mighty nuclear family, to
which marriage is regarded as a first step, whose validity must be
questioned in today's world.
In a most hopeful sense, family should be an amalgamation of all the
elements that bring us energy and hope in a world that is often unfair and
brutal, whether they are friends, coworkers, sex partners, artists,
musicians, or neighbors. Yes those of us who have an intimate relationship
with a primary sex partner value that situation immensely, but we are not
happy in a vacuum. To expect friends and family to spend hundreds of
dollars and travel thousands of miles to celebrate that one part of my
personal, social, and political life, would feel profoundly odd. Further,
the assumption that this ceremony would catapult me into a new social
location fundamentally separated from the diverse social web of urban life
would be a devastating rebuke of the social progress our society has made in
a hundred years.
These reflections on the marriage process are not meant to be a universal
condemnation. One of the values of queer culture I find most empowering is
that your personal, emotional, and sexual life can be innovative and defy
tradition regardless of any category one may fit into on the surface. I
simply mean to question the obvious exercise of social and economic
privilege involved in getting married, and to ask for an answer couched in
something other than assumptions as to why the entire practice of marriage
and weddings continues to be relevant.
I see a lot of young people working for major corporations, entities that
skim money off the labor of poor people and dump it in the coffers of
executives and shareholders. They do this to at least some extent because
the narrative of their life they see on MTV or read about in the New York
Times says they should. Getting married seems to be part of the same
process. And I expect more of my friends than flying through life on
autopilot. And it is this very process, the evolution of boys around a
campfire to men in designer suits with beautiful dates that makes the world
feel like an inevitable distopia. I can't help but pose this series of
questions, for in the hellish age of Pacific Heights mansions and
homelessness, US warplanes and Afghan refugees, we must not assume that any
of our cultural practices add value to the world, and understand that all
things personal influence the way we build or prevent democracy, vibrancy,
and justice in our world.
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